Introduction
Irretrievably divided, unavoidably connected: Encounters of self and other / Maeve Tynan
Part One: Border Crossings
The Otherness of Babylon and Jerusalem: The Bilateral Character of Exile and Otherness in Irish Literature / Michael Böss
Masters and Slaves: Britain’s Cultural Selves in Jon McGregor’s So Many Ways to Begin / Damien Shortt
Sounds of Otherness: The Representation of Music in Ann Patchett's Bel Canto
/ Vera Alexander
Part Two: Photographic Spectrality
Reconstructing Eve: Spectres and Identities of the Transforming Ideal / Carrie O'Connor
Others and their others: spectrality and monstrosity in the photographs of Roger Ballen / Lewis Johnson
Part Three: Gender and Alterity
Female Others, Female Freaks: from P.T. Barnum's American Museum to The Residents' Freak Show / Ib Johansen
Constituting the moral subject: the self and the other in gender theories of justice /
Henriette Dahan Kalev
Producing and Consuming Passions: Women Workers and Writing Desires in Melville’s New England / Inger Hunnerup Dalsgaard
Part Four: Beckettian Alterity and the Plight of Perception
Alterity and Antipathy: The Plight of Anti-Levinasian man, in Beckett’s The Expelled and Other Novellas / Órla Slattery
Eschewing the Other in Quest of the Wombtomb: Alterity in Beckett’s Film / Lasse Gammelgaard
Part Five: Monstrous Others
‘The glowing extremity of life on the edge of itself’: The vampire other in Diana Evans’ 26a. / Marie Lauritzen
Self as Other: The Doppelgänger / Gry Faurholt The Golem in the Room: Permutations of Otherness and Transnational Memory in Dionne Brand’s What we all Long For and Salman Rushdie’s Fury / Pavlina Radia |