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Issue Fourteen, Summer 2011
Boom or Bus
t: Economies of Production & Exchange in Theatre, Performance and Culture

Exterior Worlds: HiddenStories

 

Guest Editor Jonathan W. Marshall, University of Otago

Theatre, Exchange and the Sine Wave: Reciprocal Relations in the World of Busting or Booming Performance / Jonathan W Marshall

Fullness and Emptiness / Jane Goodall

The Presentation of Indigenous Australian Plays in Japan / Keiji Sawada

Cross-Cultural Encounters: Aboriginal Performers and European Audiences in the Late 1800s and Early 1900s / Maryrose Casey

Opela in Taiwan: Commercial Theatre, Grassroots Theatre, and Intellectual Theatre / Hsiao-Mei Hsieh

Corporeal Spectacle and Sublime Annihilation: Post World War Two US Art and the Theatrical Operations of Edward Burtynsky's Environmental Photography / Jonathan W. Marshall

Home Theatre: Staging the Domestic Interior / Gene Bawden

In and Out of Tune with Reality: Opposed Strategies of Documentary Theatre / Suzanne Little

Re-Visiting Roger Hall's Share Market Comedies / David O'Donnell

The Ballad of Hercule Barbin / Greg Burley with an editorial introduction by Jonathan W. Marshall

What Boom? What Bust? Initiative and Resilience in Regional Community Performing Arts / Robyn McCarron

Surface Tensions: Land and Body Relations Through Live Research Inquiry: ROCKface / Marnie Orr and Dr Rachel Sweeney

 

Cover art: detail of Annabel Dixon's Sales Horizons (1999+), from The Yellow Vest Syndrome: Recent West Australian Art (Fremantle Arts Centre, 2009). Image courtesy of FAC.

12/12/2011

 

 

 

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